![]() LIVEVIEW 30 MANUAL(That's somewhat ironic, considering that the skilled photographers using manual settings are the least likely to want a live preview. And the camera categorically forbids you from using it in any of the automatic settings. In fact, Live View isn't even flipped on as a default setting-you have to tinker around a bit to enable it. The feature won't even work in a bunch of camera settings. Canon warns that you'll likely get blurry pix by holding the XSi at a distance with Live View turned on-you know, like you would with a digital point-and-shoot. If you follow the instruction manual's advice, you'll only activate Live View when the camera is mounted on a tripod, taking still-life shots. It's almost as if Canon is philosophically opposed to the feature, and was forced to include it to appease point-and-shoot converts. A good portion of that, however, seems to be aimed at discouraging people from actually using the brand-new functionality. Still, all indications are that Canon built its Live View into the just-released, 12.2-megapixel EOS Rebel XSi ($899 for the body and lens kit) with a bit of reluctance.Ī whole chapter of the XSi's instruction manual is dedicated to Live View. ![]() Canon, which essentially defined consumer-grade SLRs, had somewhat surprisingly shied away from it left out frame-on-the-go with its entry-level Rebel line-until now. In recent years, however, cameras for a number of manufacturers (including Olympus and Sony) have managed to pull it off. Until very recently, no SLR was capable of performing this feat. Live View is a Java-based graphical forensics tool that creates a VMware virtual machine out of a raw (dd-style) disk image or physical disk. Chief amongst these is the ability to use the camera's onboard LCD screen to frame the shots in real time. ![]() And when they graduate to the SLR big leagues, they're reluctant to give up some of the niceties of point-and-shoots. In the years since, several other manufacturers have come out with sub-$1000 SLRs, but the Rebel (in all of its subsequent upgrades) remains the most iconic of the bunch.Īmateur photographers weened on the simplicity of point-and-shoots are turning themselves into an increasingly larger share of the SLR market. Take it to the range and see how it can quickly and easily change you and your golf swing into a more fluid, more powerful ball striking machine. LIVEVIEW 30 FULLAnd, when I trying to stream via the Vimba Viewer, I get my 200 fps. Test drive LiveView Pro for 30 full days. Accessing it via pymba and printing the AcquisitionFrameRate, it displays me something between 205 and 211 (what would be fine). For $999, you could purchase the camera's body and lens-the first time an SLR clocked in at under a grand, and a symbolic moment for the crossover of SLRs from the pouches of pros to hobbyists. However, trying several things (and your live preview example), I can only loop with 30 fps, although my AVT Pike can stream with 200 fps. ![]() When the Canon Digital Rebel debuted in 2003, its price tag marked a watershed moment for digital SLR cameras. ![]()
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